The Dramatic Arts : Kadal Pura
Kadal Pura originally written by Chandilyan (Bhashyam
Iyengar) in 1967 was inaugurated on April 10th 2016 at Chennai by
Mayiladudhurai Sri Sankara Narayana Sabha.
Kadal Pura tells the story of
the exploits of a Chola general in the high seas of the Indian Ocean.
Directors- Kalai Selvam Sambu & Baskar
Sets, Costumes - Padma Stage Kannan
Lights - Mano Lights
Make Up - Bonda Mani
Background Music - Kandasamy
Song Composition – Soundaryan, Sung By Nehru & Namitha
Stage Management - Raja Mansingh, Ira. Mutharasan, V. Srinivasan
Action sequence - Selvam
Produced by - Raj Vishual Arts for Sridevi Fine arts
Cast - Karunakara Pallavan - Satheesh Gyanaprakasam, Akshatha - Arasankudi Jyothi, Balavarmar - A Sundharrajan, Jeyavarmar - Raja Mansingh, Kandiyathevan - G Selvam, Manjal Azhagi - Shantohisri
Kanchana Devi - J Devi, Anabhaaya Cholan – Muralikrishnan, Ameer - K Raja, Koolavanigan Sendhan - V Srinivasan, Guna Varmar - M Annamalai, Idumban - D Venkatesh, Dacoit Chief - P Ramadasan, Beemavarmar - S Rajasekar, Chief of Vijayasamrajya – Srilesh, Anandha Varmar- Art Sivasankar, Dwarf of Bali - J Senthil Kumar, Cheif of Chola Army - S Ramakrishnan, Soilder/ Merchant - N Sokkalingam, Merchant - A Namasivayam, Minister – Viay, Fisherman / Minister – Ganesan, Soilders – Ramesh and Prasanna, Abrongi Soilder and Cheiften of Malayoou - K Selvam, Dacoit deputy cheif - M R Ravi, Boat Handler & Soilder - Sundar
Sets, Costumes - Padma Stage Kannan
Lights - Mano Lights
Make Up - Bonda Mani
Background Music - Kandasamy
Song Composition – Soundaryan, Sung By Nehru & Namitha
Stage Management - Raja Mansingh, Ira. Mutharasan, V. Srinivasan
Action sequence - Selvam
Produced by - Raj Vishual Arts for Sridevi Fine arts
Cast - Karunakara Pallavan - Satheesh Gyanaprakasam, Akshatha - Arasankudi Jyothi, Balavarmar - A Sundharrajan, Jeyavarmar - Raja Mansingh, Kandiyathevan - G Selvam, Manjal Azhagi - Shantohisri
Kanchana Devi - J Devi, Anabhaaya Cholan – Muralikrishnan, Ameer - K Raja, Koolavanigan Sendhan - V Srinivasan, Guna Varmar - M Annamalai, Idumban - D Venkatesh, Dacoit Chief - P Ramadasan, Beemavarmar - S Rajasekar, Chief of Vijayasamrajya – Srilesh, Anandha Varmar- Art Sivasankar, Dwarf of Bali - J Senthil Kumar, Cheif of Chola Army - S Ramakrishnan, Soilder/ Merchant - N Sokkalingam, Merchant - A Namasivayam, Minister – Viay, Fisherman / Minister – Ganesan, Soilders – Ramesh and Prasanna, Abrongi Soilder and Cheiften of Malayoou - K Selvam, Dacoit deputy cheif - M R Ravi, Boat Handler & Soilder - Sundar
Credits Source: jillmore.com
What I Liked:
This play does not have any bad
performances. Not one of the actors did a particularly bad job. While that
doesn’t necessarily mean that they were all amazing, it is really good to see
that there is a lack that one actor who doesn’t act properly and ruin the
whole play.
All the actors did their roles
just fine but the two standout performances were from Sateesh as Karunakara Pallavanand form Santoshri as
Manjal Azaghi. Sateesh was every bit
as righteous charismatic and confident in the role of the protagonist and
Santoshri’s performance was really well as Manjal
Azaghi, as a feisty and love struck princess. It also helped that she had
an amazing solo dance involving fire.
The sets by Padma Stage Kannan
are the best I have seen on stage in some time. It is apparent that no expenses
were spared and the sets were just exquisite both from afar and upon close
examination. The costumes and props, including some amazing ships, are all
amazing to look at; Kudos to Padma Stage Kannan and his amazing team.
The lights by Mano lights are
functional and provide an amazing atmosphere and tension when needed. Another
highlight was the makeup by Bonda Mani.
What Could Have Been Better:
The play is three hours long
without interval and that is one of my biggest gripes. Today’s audience do not
have the patience to sit continuously for three hours, so I was not entirely
surprised when I saw some people leaving their seats and returning ten to
twenty minutes later.
Another gripe that I have is
that, while they were extremely faithful to the source material, a lot of
scenes could have been cut for a faster paced, shorter length play. The main
problem is the pacing. There never seems to be a sense of urgency or excitement
in the play and that’s one major drawback.
I have made this abundantly clear
before but I am going to say this again, movie style songs where the actors
just dance do not belong on stage. It is unfortunate that after the amazing dance
number by Santoshri there was a very unflattering one some time
later.
Finally, the music; it was just
too loud for me to give any sort of criticism on it. I am not kidding when I
say that the music drowned out the voices. It was just too loud to comprehend and what I did manage to
hear without covering my ears was just serviceable.
Final Thoughts:
Kadal Pura is the literal definition of a mixed bag. For every
positive there is a small negative. While this is the grandest play I have seen
in terms of pure visual spectacle this is far from the best when it comes to
other aspects.
I give Kadal Pura 2.5 out of 5
stars. If the music had not been too loud I would have given it a 3 out of 5 stars but, as of yesterday
it is just a 2.5
This troupe has a lot of
potential and a lot of resources and I hope to see a lot of better plays from
them. Until next time;
Peace!!!
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